Clearaudio Platenspieler Performance DC Rose Gold (Laufwerk ohne Tonarm und Tonabnehmer)

AUDIO: Klangurteil: 105 Punkte

Preis/Leistung: „überragend“, „Empfehlung: Ausgewogenheit“

„Mit dem Trio Performance DC, Tracer und MC Concept stellt Clearaudio einen hervorragenden Plattenspieler auf die drei höhenverstellbaren Füße. Mit dem Tonarm Tracer ist den Franken ein Radialtonarm gelungen, der viele Tonabnehmer hevorragend führen kann. In die Optik des Rose Gold haben sich meine Augen sofort verliebt, meine Ohren gingen nur zu gerne eine Dauerbeziehung mit den Goldstücken ein.“

Clearaudio Tonarm TRACER

Performance DC Family

OKAY. I am not a descendant of Shakespeare. So I will write as I can.
The stabilization was always important to me in my life. I always wanted to have something certain. Profession. Workplace. A girl who will not play on my nose.
I tried many times. Unfortunately.

My buddy wanted me to sell him my bike. I did not have the urge or need. But he brought me a turntable. He says: listen. If you like it, we’ll change.

And he went. I stood and looked at this turntable. What the hell did this toy give me?

About two weeks passed. Buddy asks: and how? I made a silly face and waved my hand. He asked me again in a moment. Just when I wanted to ask him to return my bike to me.

– You did not listen? – He asked.
– I did not listen.

He arrived in the evening and connected this turntable to the amplifier. These are my father’s lapses. I never turned them on.

Buddy put the vinyl on the plate. After a moment – music. I completely split up. This is my father’s favorite album. I sat as mesmerized. I sat in an armchair in which my father always sat. And he listened to his records.

My friend jerked my arm.
– Did you hear or what?

The turntable arm reached the end of the disc. The music has died down.

– OKAY. I see that the turntable is not really for you. I left the bike in the corridor, and tomorrow I will come and take the gramophone.

When he left the room I called:

– Nothing of that!

Buddy was a little surprised.

– The turntable remains – I said. – Take the bike.

In the mirror, I saw my friend knock on the forehead and nod.

I did not think that the turntable would become the most important thing in my life.

First of all – the memory of my father … God, how would I like to sit with him and listen to music together. I regret that I have always ignored his passion.

When I carried the maintenance amplifier, I got into the conversation with the service chief. Today I am his boss. He did not feel well in management. He was trying to repair the devices.

But the most important thing is that I lost my place in my father’s chair. Sue is sitting there now. In fact, he sits down to get up and swing. How is she moving? Whatever I put on the turntable plate, she swings right away. Szu, szu, szuk szu …

I met her by accident, I went to pick up the radio for repair. The list of hits was just starting. She:
– I have to listen. Do you have a radio in your car?
– I have.
– Well let’s go…

And we have been going for some time. Once in 33, another time for 45, and sometimes even 78. But mainly on weekends.

Bye, Richards,s,s,sss

Artykuł Clearaudio Platenspieler <br />Performance DC Rose Gold pochodzi z serwisu Rogers HiFi.

Clearaudio – Squalan Oil – In different languages, its name is written differently. However, if I say that we are talking about C30H62 – the matter will become clear. One of the most mysterious preparations, obtained mainly from olives, but also from marine substances such as the vinylus guzzler shark. Quite – the elixir of life. It removes metals, supplies oxygen, and covers the mantle that weakens the effects of unwanted factors. This is a universal quote from the description of squalane, which you can find on the pages devoted to its cosmetic variety. Rejuvenates, refreshes, protects. In the case of electrical connections – removes all oxides, deposits, insulating layers. Ensures perfect cleanliness of connections.

real predator…

When one, ba, half of it drops into the grooves of a vinyl record, it transforms into a real predator, eliminating the magnetic effect of those components that contain metal elements. Cleans from the most hardened fatty deposits, nicotine deposits. It breaks into micro-slots and ATTENTION !!!! – fills them with each other, creating not only a protective layer, flexible and perfectly reproducing the ground over the entire space but also ATTENTION !!!! it smoothes sharp edges of these crevices, cracks and structural ones, resulting even from the time of cracking of the vinyl mass.

And everything has become clear?

A new or used vinyl record is used for a music bath. We remove electrostatic charges, post-production waste, elements of a decomposing plastic bag, blades and crumbs of a paper envelope, etc. All these elements, like logs on the tracks, affect the sum of the sound that the needle collects from the surface of the plate.
So prepared disc NOTE !!!! you are now revitalizing (for what other word to use here) with a surprisingly positive effect!

gently, very gently…

Therefore:
– You put half a drop of oil on the surface of the special float, spreading it with a brush removed from the bottle along the entire length of the float.
– turn on the turntable, on which the vinyl aphrodite is already lying, after all ablutions and caresses that she experienced in the washing machine
– gently, very gently, apply oil to the surface of the rotating plate; just a few turns to make the oil settle on the plate
– we leave as clean as the plate – the needle of our insert (liquid for washing needles – in our offer, like washing machines and bath liquids) on a squalane plate
– we’re listening
– we admire and depending on patience waiting for the effect – we keep till the end of the whole page or after the first fragment – we move the needle back to the first groove and play it again.

– and we repeat
– and we already know everything.

https://rogershifi.de/produkte/zubehoer/clearaudio-pure-groove-plattenbuerste/

like Japanese peony…

The sound acquires extraordinary dynamics, vitality, regains fullness of colors like Japanese peony in the third year of flowering. The stage rises up by a meter up. Disappears indifferent in essence, but still the current noise and sound effects of the friction of the exposed, non-free needle with a rough, black and unfriendly vinyl !!! – Thank you, Clearaudio – Squalan Oil

Generally speaking – the surface of the panel is covered with a micron thick protective layer creating a new environment, the third element in the process of mechanical disc playback. This layer mitigates all the effects of this mechanical process.

It is as if we were driving the cat’s wheels with a car with wheels made of rims only – they moved to a limousine running smoothly with equal asphalt with tires with a particularly low noise ratio!

She glides like a sledge…

The needle does not break, it does not knock, it does not hurt painfully against the sharp edges of the groove. She glides like a sledge in the fluffy snow of space. Fitted, perfectly embedded – it even features a vinyl record of musical marvels, bringing out every bell, every miracle.

But ATTENTION !!!!

– please treat it literally and categorically – half a drop on the page. Not more!
– the effect is fully evident after 3-5 times playing the disc, when the needle will evenly distribute the squalane through any nooks and crannies of the vinyl maze
– all you need to do is wash the plate again to restore it before the facelift.

WARNING!!!!

Squalan does not destroy the needle and the insert. It is completely neutral both in terms of chemical and physical.

Clearaudio SMART MATRIX PROFESSIONAL

allow the needle to spread the oil evenly…

The refresh process can be repeated. It all depends on the frequency of the given disc. Usually I clean the plate first and then – I put a layer of squalane. I have an impression, but I will gladly confront them with your feelings that after each facelift the plate will crack less. Squalan does not eliminate mechanical cracks. He soothes their intensity and intensity. In my opinion – much faster we see its positive effect on perfectly new plates than those significantly damaged.

Here is a new variation of the famous, legendary method of playing wet discs, developed by Lenco, an Austrian record company.

Here, however, you must allow the needle to spread the oil evenly, in all grooves. Some leave the CD for a few hours, others immediately, but on several occasions, recreate enjoying the almost immediately expected effect, which grows as the next plays.

WELL! And how much you save the needle, how do you protect the surface of the board! Nothing to play and not to die!

Clearaudio – Squalan Oil

Artykuł Clearaudio – Squalan Oil pochodzi z serwisu Rogers HiFi.

Seit 1806 sind zwar viele Violinkonzerte entstanden, die einen wirkungsvolleren und virtuoseren Solopart besitzen, doch es gibt kaum ein Werk ähnlichen kompositorischen Gehalts, das wegen der offenen, exponierten Lage seines Soloparts so schonungslos auch die geringste Unebenheit der Darstellung aufdeckt: Beethovens Violinkonzert bedeutet immer noch eine der großen artistischen Herausforderungen für jeden Geiger. Eines der besten Beispiele ist die Aufnahme: BEETHOVEN Violin Concerto Anne-Sophie Mutter von Clearaudio.

Audiophile Pressing:

https://rogershifi.de/produkte/produkte/clearaudio-vorverstaerker-nano-phono-v2/

Andere Titeln mit Anne-Sophie Mutter.

Artykuł BEETHOVEN <br />Violin Concerto <br />Anne-Sophie Mutter pochodzi z serwisu Rogers HiFi.

Charles Dutoit and the London Philharmonic Orchestra give a splendid, warm performance without overwhelming violinist Salvatore Accardo’s playing. Salvatore Accardo is an outstanding Italian violin virtuoso, best known as a master of these works of Niccolo Paganini. The Italian violin virtuoso and conductor, Salvatore Accardo, is highly regarded for his interpretations of Paganini. He studied violin in the southern Italian city of Naples in the 1950s and gave his first professional recital at the age of 13, performing Paganini’s Capricci. He won the Geneva Competition in 1956 and in 1958 became the first prize winner of the Paganini Competition in Genoa. Audiophile Pressing: PAGANINI Diabolus in Musica Salvatore Accardo Charles Dutoit

Charles Dutoit

The Swiss conductor, Charles Édouard Dutoit, is known for his interpretations of French and Russian 20th century music. Dutoit studied in Switzerland where he was born and graduated from the Geneva Conservatory where he won first prize in conducting. In his youth, he frequently attended Ansermet’s rehearsals and had a personal acquaintance with him. He has been guest conductor for the Orchestre de la Suisse Romande and the Lausanne Chamber Orchestra as well as conducting for Radio Zurich, the Bern Symphony Orchestra, the National Symphony Orchestra of Mexico, Sweden’s Gothenburg Symphony and the Minnesota Orchestra.

PAGANINI Diabolus in Musica Salvatore Accardo Charles Dutoit

• 01. La Risata del Diavolo (tema) (0:35)
• 02. La Campanella – Rondo dal Concerto per Violino e Orchestra No.2 (8:59)
• 03. Capriccio per Violino Solo No.5 – Agitato (2:19)
• 04. Adagio flebile con sentimento (6:54)
• 05. Rondo galante.Andantino gaio-dal Concerto per Violino e Orchestra n.4 (11:09)
• 06. Introduzione e variazioni su God Save the King Op.9 (6:45)
• 07. Capriccio per violino solo No.24 – Tema.Quasi Presto-Variazioni-Finale (4:28)
• 08. Polacca. Andantino vivace – dal Concerto per Violino e Orchestra No.3 (11:38)
• 09. Capriccio per violino solo No.1 – Andante (1:50)
• 10. Rondo.Allegro spirituoso-dal Concerto per Violino e Orchestra n.1,op.6 (9:46)
• 11. Capriccio per violino solo No.13 – Allegro (2:02)12. Sonata Moto Perpetuo – Allegro vivace (3:11)

Artykuł PAGANINI <br />Diabolus in Musica <br />Salvatore Accardo Charles Dutoit pochodzi z serwisu Rogers HiFi.

FRIENDS OF CARLOTTA Live In Studio – Pop a capella Instrumentalmusik Live im Studio! Direkt auf die Platte gepresst vom Mastertape. clearaudio Audiophile Edition

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Inhalt:

•  FRIENDS OF CARLOTTA Live In Studio
• How Deep Is Your Love Hello Nothing Ever Happens Fever In The Air Tonight Ain't No Sunshine
• 07. Walkin‘ In Memphis (4:28)
• 08. Time After Time (4:27)

https://rogershifi.de/produkt/concept-beliebteste-plattenspieler/

Dieses: ‚Ich höre jetzt Musik mit einem Gerät, auf dem ich nicht angerufen werden kann.‘ Gleichzeitig hat es auch was mit technischer Faszination zu tun. Die Platte ist übrigens ein sehr männliches Thema“, sagt Drücke und verweist auf eine Statistik aus dem Jahr 2015, nach der 82,7 Prozent der Vinylkäufer männlich sind. „Es gibt aber auch viele, die einfach eine eingeschweißte Platte zu Hause im Regal stehen haben wollen. Weil sie bleibt – falls mal meine Festplatte crasht. Und weil sie einfach gut aussieht.“ – PENTHOUSE

Artykuł FRIENDS OF CARLOTTA <br />Live In Studio pochodzi z serwisu Rogers HiFi.

Die Oper Fürst Igor von Alexander Borodin basiert auf Themen eines Epos aus dem 12. Jahrhundert, das den Kampf zwischen russischen Fürstenhäusern und ihren Angreifern, den Polowetzern, im Mittelalter schildert. In der Ouvertüre Russische Ostern hat Rimsky-Korssakoff Melodien aus der orthodoxen Liturgie dazu verwendet, die Atmosphäre des russischen Osterfestes, wie auch eines Festes zur Begrüßung der wiederkehrenden Sonne einzufangen. Audiophile Pressing: BORODIN Polovtsian Dances Night on Bald Mountain Daniel Barenboim

Brillianteste Komposition

Im Jahre 1887 schrieb Rimsky-Korssakoff eine seiner brilliantesten Kompositionen, das Capriccio espagnol. Es basiert auf dem Entwurf einer Fantasie über spanische Themen für Violine und Orchester, so dass sich von daher auch die Bedeutung erklärt, die dem Part der Solo-Violine zukommt. Entworfen 1866. Mit der Instrumentierung begonnen am 12. Juni 1867. Das Werk beendet am Abend des Johannistages am 23. Juni 1867 – so hält die erste Partitur von Modest Mussorgsky die Stationen der Entstehung des Werkes Eine Nacht auf dem Kahlen Berge fest.

BORODIN Polovtsian Dances Night on Bald Mountain Daniel Barenboim

TCHAIKOVSKY, RIMSKY-KORSAKOV, MUSSORGSKY 

Russian Easter Overture, Capriccio Espagnol

Chicago Symphony Orchestra

Side 1:
Alexander Borodin (1833-1887)
1. Polovtsian Dances – from the Opera „Prince Igor“

Nikolai Rimsky-Korssakoff (1844-1908)
2. Russian Easter Overture, Op. 36 – on Liturgical Themes for Large Orchestra

Side 2:
Modest Mussorgsky (1839-1881)
3. Night On The Bald Mountain, Op. post. – Concert Fantasy for Large ORchestra

Nikolai Rimsky-Korssakoff
4. Capriccio espagnol op. 34
I. Alborada: vivo e strepitoso
II. Variazioni: Andante con moto
III. Alborada: vivo e strepitoso
IV. Scena e Canto gitano: Allegretto
V. Fandango asturiano

Artykuł <b>BORODIN</b> <br />Polovtsian Dances Night on Bald Mountain <br />Daniel Barenboim pochodzi z serwisu Rogers HiFi.

Martha Argerich verfügt über die Technik, mit der Musik zu machen, was immer Sie will. Ob es die eindringliche, dunkle Melancholie der Nr. 2 in A-Moll oder das wirre Blitzen der No. 16 in B-Moll ist, diese starken Veränderungen der Stimmung, das Unberechenbare beeindruckt. Audiophile Pressing: CHOPIN 24 Preludes Op.28 Martha Argerich

Voted Into Gramophone’s Hall of Fame in 2012!

Martha Argerich was born in Buenos Aires. From the age of five, she took piano lessons with Vicenzo Scaramuzza. In 1955 she went to Europe with her family, and received tuition from Friedrich Gulda in Vienna; her teachers also included Nikita Magaloff and Stefan Askenase. Following her first prizes in the piano competitions in Bolzano and Geneva in 1957, she embarked on an intensive program of concerts. Her victory in the Chopin Competition in Warsaw in 1965 was a decisive step on her path to worldwide recognition.

Grammy Award-Winning Artist!

Martha Argerich rose to fame with her interpretations of the virtuoso piano literature of the 19th and 20th centuries. But she does not regard herself as a specialist in „virtuoso“ works — her repertoire ranges from Bach through Beethoven, Schumann, Liszt, Debussy and Ravel, to Bartók.

Inhalt:

CHOPIN 24 Preludes Op.28 Martha Argerich

Frederic Chopin (1810-1849)
24 Préludes Op. 28
Side 1:
1. No. 1 In C Major
2. No. 2 In A Minor
3. No. 3 In G Major
4. No. 4 In E Minor
5. No. 5 In D Major
6. No. 6 In B Minor
7. No. 7 In A Major
8. No. 8 In F Sharp Minor
9. No. 9 In E Major
10. No. 10 In C Sharp Minor
11. No. 11 In B Major
12. No. 12 In G Sharp Minor
13. No. 13 In F Sharp Major
14. No. 14 In E Flat Minor

Side 2:
15. No. 15 In D Flat Major
16. No. 16 In B Flat Minor
17. No. 17 In A Flat Major
18. No. 18 In F Minor
19. No. 19 In E Flat Major
20. No. 20 In C Minor
21. No. 21 In B Flat Major
22. No. 22 In G Minor
23. No. 23 In F Major
24. No. 24 In D Minor
25. Prélude No. 25 In C Sharp Minor Op. 45
26. Prélude No. 26 In A Flat Major Op. Posth.

More about: CHOPIN 24 Preludes Op.28 Martha Argerich

Exceptional talent

Artykuł CHOPIN <br />24 Preludes Op.28 <br />Martha Argerich pochodzi z serwisu Rogers HiFi.

Audiophile Pressing: STRAVINSKY Der Feuervogel Jeu de cartes Claudio Abbado

Inhalt:

Igor Stravinsky (1882-1971)
L’Oiseau De Feu / Der Feuervogel / The Firebird (1919)

Artykuł STRAVINSKY <br />Der Feuervogel Jeu de cartes <br />Claudio Abbado pochodzi z serwisu Rogers HiFi.

The most famous and best known piano concert in the world: TCHAIKOVSKY Piano Concerto No 1 Martha Argerich

Clearaudio Tonabnahmer ARTIST V2 MM

Artykuł TCHAIKOVSKY <br />Piano Concerto No 1 <br />Martha Argerich pochodzi z serwisu Rogers HiFi.

Notes: MOZART Violin Concertos 4 und 5 Wolfgang Schneiderhan Berliner Philharmoniker – The Concertos in D major, K. 218, and in A major, K. 219, like the three other Mozart Violin Concertos whose authenticity is undoubted, date from 1775. Mozart was then nineteen, and was leader of the Prince-Archbishop’s Court Orchestra in his native Salzburg. The years spent at Salzburg prior to his journey to Mannheim and Paris (1777/79) may be described as the „galant“ period of Mozart’s life. The compositions of this time correspond to the concept of the serene Mozart, a „Raphael of music“, the master who „did not represent the fermenting of the passions in his art, but completely overcame all that was impure and disturbing, to produce perfect beauty“ (Jahn).

…in an Arcadian landscape

Mozart’s Violin Concertos could be described as a particular from of divertimento, and compared to the serenades which he wrote in Salzburg at about the same time. Agreeable and songlike elements form the melodic style. All thoughts of pain and grief seem to have been banished; the listener find himself in an Arcadian landscape where grace and serenity reign supreme.

…incomparably individual in character

The Concertos K. 218 and K. 219 conclude the group. While conventional features are unmistakable in the first two Concertos (K. 207 and K. 211), in which Mozart employed certain stereotyped elements of the serenade style, the Concertos K. 216, K. 218, and in particular the A major Concerto K. 219, are incomparably individual in character.

…an unexpected slow bridge passage

The opening of the A major Concerto is a good example of the freedom with which Mozart handled the traditional formal pattern of a concerto: in this Allegro the orchestral exposition is immediately followed not by the solo violin’s entry with the theme, but by an unexpected slow bridge passage, a recitative in which the solo violin, accompanied by arabesques of the other violins and delicate oboe and horn chords, prepares and „tries out“ its theme. Only after this does the Concerto really begin: the orchestra plays almost exactly as it hat at the opening, but the solo violin now overtops it with the principal theme.

…the musical ideas of another composer

The D major Concert, K. 218, has an unusual history. It was believed that Mozart had based his composition on the Violin Concerto in D major of Luigi Boccherini, perhaps unconsciously, presenting the musical ideas of another composer, whose nature was akin to his, in a new musical context. Recently, however, the belief has been hardening that the Boccherini Violin Concerto is spurious – that this was not a case of Mozart imitating Boccherini, but that the alleged Boccherini Concerto is apocryphal, having been based on Mozart’s composition.

MOZART Violin Concertos 4 und 5 Wolfgang Schneiderhan Berliner Philharmoniker

Artykuł MOZART <br />Violin Concertos 4 und 5 <br />Wolfgang Schneiderhan Berliner Philharmoniker pochodzi z serwisu Rogers HiFi.